About a month ago, I stood in my kitchen with dearest friend and literary super-agent extraordinaire, Gordon Warnock, drinking beers, washing dishes, and shootin’ the shit the way we do. While we cooked a simple dinner seasoned with goodies from my mid-summer garden, we had an honest, realistic conversation about the state of my memoir, which Gordon had been dutifully and tirelessly pitching to publishers for two years to no avail; we’d had no offers on the book in all that time, though I’d managed to set an agency record for the number of publishers who wanted, but then ultimately passed on the manuscript. It was time to face reality, and I knew it.
Long since had passed those dreams of having my booked picked up a mega-house like Harper Collins or Simon & Schuster, earning seven-figure advances, and making the New York bestseller list (hey–a girl can dream). Though I never stopped believing in the value of the story, I was prepared to face the possibility of not seeing my life’s dream accomplished—at least not this round. Gordon and I once again promised each other to keep doing what we could to promote the book, for a little while longer at least, and then went back to our halibut, beers, and Jeopardy.
Over the next few days, I indulged in some serious existential crisis-ing, allowing myself to question my place in the writing world, doubt the quality of my writing, and generally feel thoroughly, pitifully sorry for myself. But after a few days of this nonsense, I snapped out of it and remembered something important. I remembered that I love writing (warts and all, almost 100% of the time) and that just because my memoir wouldn’t be my debut book, didn’t mean it wouldn’t still happen for me some day, somehow.
Most writers have at least one book in the drawer before getting a book deal, and I was certainly prepared to have a shitty manuscript (or several) rendered unusable and tossed aside during my career, but I just didn’t want it to be this book sitting in the darkness of that proverbial failure drawer. The story of this book—my family’s story—is an important one to tell, and I’ve built my life around it; seeing it fail inevitably rattled my sense of self-worth.
Still, I love being a writer, and if continuing on this path meant letting go of my memoir, at least for the time being, I was willing to do it. On my way home from work that Friday evening, I decided that I would do my best to let it go, place it longingly in that drawer, and hope I’d be able to get it out to the world at some later, more established point in my career. God willing.
But later that day, that very same day, I got an offer on my book. Gordon called, I cried, and suddenly the whole world turned upside down in the most delicious way. Just like that. I blew out the candles on my 30th birthday cake knowing that I’d done it—I was going to be a published author, straight-up legit and for realz. And then another offer came in, and for a glorious moment in time, there were several publishers fight over my work. I feel incredibly lucky to have found such a good home in Skyhorse Publishing, and can’t wait to represent their name in the world.
So today, my dear friends and family and readers and colleagues and internet folk, I am so thrilled and proud to shout from the digital rooftops that A Real Emotional Girl will be published in the Fall of 2012, made possible by Julie Matysik at Skyhorse Press. My book, at long last, will exist! In hardcover, no less…
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